The Australian-born partners hoped to find a chef that could match the energy of the building. So too did Kanye West, who in 2005 created his second album Late Registration on the same property.īotanical owners David Combes and Grant Smillie took over the space four years ago and envisioned something huge. David Bowie recorded here, Stevie Wonder rehearsed his classic album Songs In The Key Of Life in the same room, and the Red Hot Chili Peppers secured their early work within these walls. Those sitting in the adjoining 71 Studio Bar can revel in the thought that the world’s biggest recording artists created masterpieces in this space. It’s all something to behold, especially the Cahuenga-side entry, lined with glam and gold-filled tributes to the history behind the building, complete with commemorative albums from artists who recorded there. And, as the name implies, the building holds significant history as a former recording studio. Inside is a restaurant, lounge, and rooftop bar with some stunning views of the Hollywood Hills and Capitol Records Building. Grandmaster Recorders resides in a 15,000-square-foot space, sitting across the street from the former Amoeba Music and directly behind the former Jack In The Box on Sunset, with entrances on both Ivar and Cahuenga. and Strings Of Life, the Botanical Hospitality Group. Joining those ranks this Thursday is the three-story Grandmaster Recorders, the newest and grandest project from the team behind E.P. From historic stretches on Sunset Boulevard to the Cahuenga Corridor, dining rooms feel reimagined (and slightly less touristy) with newcomers like the incredibly popular Horses, forthcoming Mes Amis from chef Lincoln Carson, and Superba Food + Bread’s revamped Cat & Fiddle/Hearth & Hound space. One installation by artist Dread Scott, “Historic Corrections,” juxtaposes images of an early 20th century lynching, young black and Latino men and an electric chair.In 2021, a handful of ambitious and impressive restaurants opened in Hollywood’s central core. “Capital Art,” on view through March 31, features video, photos, paintings and installations from about 40 artists, including Robbie Conal, Salomon Huerta and John Outerbridge. 264-4678) has organized a new exhibit about police brutality, the prison system and the death penalty. The always adventuresome Track 16 Gallery (Bergamot Station, 2525 Michigan Ave., Building C1, Santa Monica. Most critics find “Hannibal” more gory but less terrifying than “Silence.” The Times’ Kenneth Turan said it “takes a magisterial approach to the same material, never allowing itself to get down and dirty enough to be truly scary.” Variety’s Todd McCarthy liked it a bit more, writing that Hopkins hasn’t lost a step in “continuing the seductively diabolical portrayal that won him an Oscar 10 years ago.” Restless, he comes out of “retirement” for a game of cat-and-mouse with FBI agent Clarice Starling (Julianne Moore). Wonder what serial killer Hannibal “The Cannibal” Lecter (Anthony Hopkins) has been up to since escaping the grasp of the FBI? Living the high life in Italy, it seems. Ten years after “The Silence of the Lambs” scared moviegoers half to death, the sequel, “Hannibal” (rated R for strong, gruesome violence) is in theaters. If that’s too much for you, don’t enter unless you want to help break that record in February. To make sure visitors know what they’re in for, the museum has a test photo near the entrance. The museum set a record last month: nine people passed out while touring its exhibits. Some things in the museum are very graphic, Shultz said, including photographs of murder scenes and deadly accidents, as well as the stained T-shirt removed from one of the convicts burned in Florida’s infamous electric chair. The current special exhibit is about the life and suicide (by hanging) of Rozz Williams, the founder of the band Christian Death, which was at the forefront of the goth music scene. Among the items: a re-creation-with original clothes and veils-of 1997 Heaven’s Gate suicides, coffins, body bags, mortician’s tools and paintings by serial killers. Now they have more than 2,000 square feet for their macabre collection. Healy moved their museum to Hollywood Boulevard from a mortuary in San Diego in January 2000, after looking for a bigger space and bigger audience. 466-8011) has survived its first year in Los Angeles.įounders Cathee Shultz and J.D. The Museum of Death (6340 Hollywood Blvd., Hollywood.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |